The collector behind Hulu’s Truman Capote Show is the one who built MoMA

Posted by

William Paley, the mogul who changed American television, plays a secondary role in Ryan Murphy’s new Hulu series “Feud: Capote vs. the Swans,” but his impact on American museums is modest.

In the Hulu series, Paley lingers in the background, while the spotlight focuses on female writer Truman Capote, who is crafted into fictional subjects — Capote called them swans — among them Paley’s wife, Barbara “Babe” Cushing Mortimer. .

Beneath the show’s glamor lies a more subtle story, the pivotal role of the Paley name in the early years of New York’s Museum of Modern Art.

Related Articles

“As one of his colleagues told me, it was well known that Mr. Paley always answered the call of the Museum of Modern Art, even when other matters required his immediate attention,” Richard E. Oldenburg, the museum’s director at the time. Said while remembering. 1992 catalog entry. In 1937 Paley joined the museum’s board as a trustee. By then, he had founded a small radio network called Columbia Broadcasting System (CBS) Inc. The museum had grown into a vast network of museums, amassing enough wealth to become valuable to the museum, which was only eight years old and still in need of financial support.

After rising through various high-level positions, Paley rose to a position of immense influence: he deepened the museum’s pockets (which will boast $1.5 billion in assets by 2023), overseeing art acquisitions. Oversaw the committee, and helped build its permanent collection. Later, he assumed the presidency of the museum and, from 1982 to 1984, oversaw an expansion that effectively doubled the museum’s exhibition space.

Paley gave large sums of money and valuable works, including Picasso, to the museum architect’s table (1912) and, posthumously, Picasso’s boy leading the horse (1905-06). The latter, which reflects Picasso’s shift from pink tones to a muted-blue palette, hangs in Paley’s Manhattan apartment entrance, noted in the MoMA catalog as “the only room where people used to stand.”

His association with the museum helped bring prestige to Paley’s name, bringing it closer to the respected fellow New Yorkers of the Rockefeller and Whitney families. At the unveiling of the new building in 1984, which Paley supervised new York Times Noted, “At least it can be said that it is not and never has been an institution of outsiders.”

Among Paley’s other notable gifts were works such as Francis Bacon’s study for three majors, from 1962, a triptych Bacon created after the death of his partner, Peter Lacey. It features two images of Lacey’s face next to Bacon’s face.

These artefacts became the property of the museum after Pelli’s death in 1990. In November 2022, Pelli’s deep connection with the museum resurfaced, when MoMA announced plans to divest $70 million worth of art from its collection to Sotheby’s in a bid to create an endowment. Digital Projects. It was a sign of changing times; The pandemic forced even America’s oldest museums to respond to surging visitor numbers on online platforms.

In the catalog notes of a 1992 exhibition showcasing Pally’s collection two years after his death, MoMA’s honorary director William Rubin recalled that Pally’s acquisitions were personal, guided by “private taste rather than broader public considerations”. . Rubin, from whom? Art Forum Cast as “arguably one of the most important post-war curators of twentieth-century art” in 2006, this emphasized how Paley was following these artists when “anything about keeping their Wasn’t chic” [them],

#collector #Hulus #Truman #Capote #Show #built #MoMA

Leave a Reply

Your email address will not be published. Required fields are marked *